Covers of the bindings of the 1851 and 1852 editions. When this photo was taken both bindings needed minor restoration.
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
Covers of the bindings of the 1851 and 1852 editions. When this photo was taken both bindings needed minor restoration. Cracks to the upper hinges are visible as are various scuffing, etc.
Deluxe publisher's bindings on the 1851 and 1852 editions of The Iris. Notice the name of the publisher stamped in small letters at the foot of the spines. Typically this indicated that the b
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
Deluxe publisher's bindings on the 1851 and 1852 editions of The Iris. Notice the name of the publisher stamped in small letters at the foot of the spines. Typically this indicated that the bindings were made by the publishers.
The different brightly chromolithographed but also very mid-19th century style presentation leaves beginning the 1851 and 1852 editions of The Iris.
The different brightly chromolithographed but also very mid-19th century style presentation leaves beginning the 1851 and 1852 editions of The Iris.
The extremely elaborate brightly colored title pages of the 1851 and 1852 editions.
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
The extremely elaborate brightly colored title pages of the 1851 and 1852 editions.
Sounding Wind, the Chippewa Brive by Seth Eastman, illustrating text by Mary Eastman, in the 1852 edition of The Iris.
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
Sounding Wind, the Chippewa Brive by Seth Eastman, illustrating text by Mary Eastman, in the 1852 edition of The Iris.  Chromolithograph by P.S. Duval & Son.
Marrriage Custom of the Indians. Chromolithograph by P. S. Duval & Son after the painting by Capt. Seth Eastman from the 1852 edition of The Iris.
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
Marrriage Custom of the Indians. Chromolithograph by P. S. Duval & Son after the painting by Capt. Seth Eastman from the 1852 edition of The Iris.
Detail map of Philadelphia, Pennsylvania, United States

A: Philadelphia, Pennsylvania, United States

Lippincott Issues Three Beautifully Bound Gift Books Featuring Chromolithographs by P.S. Duval

1851 to 1852 to 1853
Indian Courtship chromolithographed by P.S. Duval after the painting by Capt. Seth Eastman.
Creative Commons LicenseJeremy Norman Collection of Images - Creative Commons
Indian Courtship chromolithographed by P.S. Duval after the painting by Capt. Seth Eastman illustrating text by Mary Eastman in the 1852 edition of The Iris.
In 1851 and 1853 publishers Lippincott, Grambo issued three different editions of a gift book entitled The Iris, edited by John S. Hart. Each of these volumes was prefaced with an elaborate chromolithographed presentation page for the donor to personalize the copy for the intended recipient. Judging from the feminine content of these pages, these books were primarily intended to be given to women. 

The copies of the 1851 and 1852 editions in my library are both in elaborate presentation bindings of black morocco. Because each of the spines of these volumes is signed with the name of the publishers it is probable that the bindings were produced in a bindery owned by the publishers.

Beyond the bindings, the most attractive features of the books today are the fine examples of chromolithography by the Philadelphia firm of P. S. Duval & Son. The 1851 edition contains 4 chromolithographs, and a variety of short texts that are of little interest today.

The chromolithographs in the 1851 edition  must have been a success, since the 1852 edition contains 12 chromolithographs, also by P. S. Duval & Son. That volume also published content of much wider interest, then and now—tales and poetry concerning Indian legends by the American historian and novelist Mary Henderson Eastman, who was married to the American army officer and painter Seth Eastman, who illustrated Mary's tales.

In 1841 Mary Eastman accompanied her husband when he assumed command of Fort Snelling (in what is now Minnesota), where he served until 1848. During this period, Mary Eastman learned the Sioux language to study and record the Sioux customs and lore. She collected tales and poetry on the Chippew and Sioux, Winona and Winona's Rock, Wabashaw, Flying Cloud, Minnehaha Falls (the "Laughing Waters"), St. Anthony Falls and Spirit Island.
Seth Eastman's paintings illustrating Mary Eastman's text were reproduced by chromolithography first in the 1852 edition of The Iris, and the following year pages from The Isis edition were collected and reissued as The Romance of Indian Life. By Mrs. Mary H. Eastman. With Other Tales, Selections from the Iris, an Illustrated Souvenir.

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