On October 3, 1833 French publisher and politician
Émile de Girardin launched the weekly magazine
Musée des Familles, Lectures de Soir in Paris
. In format this magazine was clearly inspired by the two-column format of
The Penny Magazine that Charles Knight had published in England for the SDUK since March 1832. Girardin must also have been thinking of the French market that Edouard Charton had been developing since February 1833 for his
Magasin Pittoresque, which was pretty much a French copy of the
The Penny Magazine. However, Girardin distinguished his magazine from Charton's by directing its content more toward the interests of women and children, by including substantially more woodcuts, and by including literary works by fashionable writers. He also credited the authors of the various articles in the magazine by name— a practice not followed in
The Penny Magazine or the
Magasin Pittoresque. It seems that Girardin also intended his magazine for a somewhat more upscale market than the
Magasin Pittoresque. Note that he advertised on the upper printed wrapper for the first volume of the collected edition or reprint edition of the issues for 1833 and 1834 that he would print 500 copies on deluxe vélin satiné paper, and that these would be printed in a deluxe way on a hand press, rather than a printing machine. Girardin also kept copies of this periodical in print for decades so that new subscribers could buy prior volumes if desired.

Jeremy Norman Collection of Images - Creative Commons
Title page of the first volume of the collected issues of the journal. Note the price information on the page facing the title.

Jeremy Norman Collection of Images - Creative Commons
Girardin licensed the Duverger technology for printing music, crediting Duverger for the three places where he published music in the journal volume. About this time the English industrial printer William Clowes was also probably using the Duverger technology to print music.

Jeremy Norman Collection of Images - Creative Commons
This page opening closely resembles what a page in The Penny Magazine or the Magasin Pittoresque looked like, except that Girardin packed in even more images.

Jeremy Norman Collection of Images - Creative Commons
A poster advertising Musée des Familles for 1857-1858. Note that the publishers indicated that the previous 24 volumes could be purchased as a set or individually.

Jeremy Norman Collection of Images - Creative Commons
A copy of the second volume of Musée des Familles as it was sold about 1853, when according to the rear printed wrapper, 20 volumes of the periodical had been published.

Jeremy Norman Collection of Images - Creative Commons
The elaborate border of the title page of the second volume of Musée des Familles would appear to appeal rather directly to women. Notice that the scientist Isidore Geoffroy Saint-Hilaire appears on the list of contributors.